Film Reviews
Room For Rent is like the world’s worst filled donut; doughy and undercooked until you get to the sweet, jam-filled middle middle that is Lin Shaye and it’s all worth it again.
The acclaimed Melbourne Documentary Film Festival has returned with a program filled with local and international delights; we list the top ten films to catch.
With a strong idea that isn’t executed as it should have been, The Rainbow Experiment ends up less enthralling than its titular incident.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.
In Avengement, Scott Adkins graduates from villain status to unflinching antihero, transforming himself into a one-man trauma center.
Leading with the theme of “audacity in cinema,” the 14th edition of the South East European Film Festival took flight in Los Angeles from 5/1-5/8.
Art is inseparable from death. This is one of the main conclusions of Abel Ferrara’s meditation on the always controversial Pier Paolo Pasolini.
This is the end. The ashes have settled. It may be a somber one, but Game of Thrones’ characters’ fates have finally come to pass. Was it satisfactory?
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.
Troupers is an homage to actors over 80 who stuck it out doing what they loved for an entire lifetime. Read our review on this charming documentary.
Nowhere Boy is a coming of age biopic based off of the formative years of John Lennon’s life and his ensuing journey into rock and roll.
Alistair Ryder and Gus Edgar report from Cannes Film Festival with reviews of Gaspar Noé’s latest, Robert Eggers’ The Lighthouse and more.
Do you like dogs? Then you might like A Dog’s Journey, the latest puppy compilation turned corn-syrup narrative released by Universal Pictures.
In The Twilight Zone’s 8th episode Ginnifer Goodwin plays a woman captured by government officials. Alexia Amoriello reviews.
Gus Edgar, Maria Lattila and Alistair Ryder report from Cannes Film Festival 2019 with reviews of Little Joe, First Love, Rocketman, Atlantics and more.