Film Reviews
Wrestle relies entirely on familiar story beats and its subject matter, shining in individual moments but not adding up to a satisfying whole.
Holiday will linger with you long after the credits roll, forcing you to acknowledge the ways in which you are complicit with the behavior of its characters.
Our editor-in-chief Manon de Reeper was able to attend the Coven Film Festival in San Francisco, a festival devoted to short films made by women.
A mature, eerie, and effective coming-of-age story, The Changeover is a definite standout when it comes to young adult films.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
Some may preemptively dismiss Gully Boy as a rip-off of 8 Mile but there’s far more here than just another underdog hip-hop story.
A spiritual forerunner to modern coming-of-age films like Eighth Grade and Lady Bird, Peppermint Soda is a charming glimpse at two teenage girls growing up.
The Umbrella Academy is an exciting and free-spirited edition to Netflix’s catalog of binge-able TV series.
The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.
By not taking itself too seriously, DC’s Doom Patrol creates a whimsical world of super-heroics that is both fun to watch and easily digestible.
If you looked past the gaping plot holes and equally detestable jump-scares, there is a scare or two to be had in The Prodigy.
Happy Death Day 2U is like watching a million ideas hit the screen at the same time, progressively moving itself to shakier ground before losing any sense of narrative necessity.
Second Sight’s revival of World on a Wire is vital for not only highlighting one of Fassbinder’s more underrated efforts, but for resurrecting one of the essential texts of science fiction.
How to Train Your Dragon: The Hidden World brings the franchise to a moving conclusion in a way that touches on very relevant themes about animal rights, growing up, and making sacrifices.
The Golem is closer to a moody thriller than a horror – and although thematically interesting, still lacks the bite it sorely needs.