Film Reviews
Chapter & Verse is another strong reminder that stories about black lives must continue to be told—even if it treads familiar ground.
Rings is a film that falls flat on its face, failing to capture the raw and understated tension in the original American remake.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
Though its feel-good sentiments are hard to resist, there are simply too many tonal and structural issues that hold LION back from greatness.
Revisiting Edward Yang’s A BRIGHTER SUMMER DAY, a complex and emotional film that explores the past and the present in its 4 hour runtime.
Your Name is the latest anime from Makoto Shinkai; grounded in a contemporary setting, it is as endearing as it is gorgeous to watch unfold.
Fences was recently nominated for multiple Academy Awards, but is Denzel Washington’s passion project worth all the hype?
With an invigorating score and fantastic performances, Jackie is also a biopic that reflects on the current environment of celebrity culture.
Fear Itself is a series of montages of famous horror films, though it misses out on probing just why we are fascinated by being scared.
Paterson is informed by the rich tradition of American poetry and modelled as a gentle meditation on the minutiae of artistic life.
Office Space is a film that pokes at the small moments that we all deal with on a daily basis, making them funny in a relatable way.
James McAvoy shines in M. Night Shyamalan’s latest, in which he portrays an array of characters as a man who suffers from dissociative identity disorder.
THE SPACE BETWEEN US struggles to find its original voice amidst the plethora of recent space exploration movies.
Abbas Kiarostami’s Like Someone In Love creatively shows how the concept of love changes from person to person.
I Am Not Your Negro is a documentary based on the works of activist James Baldwin, and is overall a powerful examination of race in America.