Film Reviews
It’s impossible to not feel a bit existential after watching Millennium Mambo, and with a sumptuous new 4K restoration now available there’s no better time.
A masterpiece, Door Mouse is a slick neo-noir that adds a lot to a genre that we don’t get enough of.
Despite boasting great performances and lavish production values, Chess Story feels unnecessarily messy, overwhelmed by the scope of its adaptation.
Alice, Darling could do with some whittling down, but many of the details make the film a needed testament to an under-explored experience.
If you like your horror movies to have a fast paced plot that still leaves time for scares and character development, then you need to see this.
Kyle Edward Ball’s Skinamarink is a truly singular experience, one that will leave you absolutely haunted.
With Saint Omer Diop has delivered one of the most powerful and personal films of the year.
A definite recommend, M3GAN, while more of the same, is far more thoughtful both creatively and narratively than so many of its predecessors.
Despite some great visuals and decent special effects, M3gan is a predictable misfire.
Film Inquiry spoke with Justin Landsman & Charlie Compton for their film The Five Fingers of a Dog!
Broker may not reach the heights of its predecessor, but it is a lovely depiction of a found family brought together in the strangest of ways.
Avatar 2 puts to rest the ahistorical argument that Avatar had “no lasting cultural impact.”
Ted K remains interesting because of Copley’s performance and the fact that Kaczynski is a fascinating persona in and of himself.
It is a well-made, multilayered murder mystery, whose appeal lies not only in its subversive story, but in its prescient ability to predict the future.
My Father’s Dragon, Cartoon Saloon’s direct-to-Netflix kids’ film, is unfortunately too loud and annoying to have an impact.