Film Reviews
If you’re going to watch this one, you might as well marathon the series with some buddies online while imbibing the adult beverage of your choice.
It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
The Twentieth Century proves that contemporary cinema still has an appetite for sweeping portions of unparalleled imagination and humor.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.
The Sounding is a tribute to William Shakespeare first and foremost, though that adoration often gets in the way of its storytelling.
Smuggling Hendrix is a largely remote concept, but its political relevance emerging from its silly conflict makes it an accessible, amusing dramedy.
Carga is a gripping short film. Its marvellous build-up is ever so slightly hindered by a speedy conclusion—it’s a film you want to be longer.
Exile requires a certain level of investment to procure the fruits of the third act, but will certainly leave you introspecting your life.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
While Swans – Where Does A Body End? will be streaming on Amazon Prime, this a movie that should be played as loud as possible.
Beyond the Horizon is almost a traditional coming-of-age story that operates in accordance with the rules of the genre, but set apart by its twist.
That’s one of the great joys of Memories of Murder. From purely a storytelling perspective, it synthesizes together something totally compelling.
The Climb is an exciting and robust debut from Michael Angelo Covino.
Buñuel in the Labyrinth of the Turtles offers a peek into the mind of one of the most influential artists of the surrealist movement.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.