Film Reviews
Lacking excitement, humor or focus, unfortunately, Sister of the Groom is a wedding only fit for 2020.
Suffice it to say, this is not a terrible film, but White Lie comes off as an underbaked drama with a paper-thin conclusion.
Enfant Terrible, Oskar Roehler’s filmic biography of Rainer Werner Fassbinder, intertwines this political manifesto with its subject’s personal life.
Continuing our coverage of the 2020 International Documentary Film Festival of Amsterdam (IDFA), we review Radiograph of a Family, 100UP and more!
In 2003, Taiwanese auteur Tsai Ming-liang released his masterful ode to the magic of movie theaters, Goodbye, Dragon Inn.
Kirsten Johnson’s film is a wonderful testament to both her aging father and the importance of treasuring the people we love most in life.
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
I’m Your Woman, the fourth feature film directed by Julia Hart, offers some unique twists on the ‘70s crime thriller.
Despite its many strengths and successes, Education was the only Small Axe film that left me wanting more.
While it may seem to soon, 76 Days is a vital documentary that is a testament to those at the frontlines during the lockdown of Wuhan.
The Test & the Art of Thinking is an important documentary, highlighting a particular issue in education that is connected to a larger problem.
Dating Amber takes those uncomfortable moments from adolescence and highlights just how difficult growing up can be.
Penguins: Life on the Edge continues to be remarkable, capturing filmmakers risking life and limb to bring us footage of wonders yet unseen.
For a true story about changing the rules, Safety sticks strictly to the dusty sports drama playbook.