
Every Monday Film Inquiry publishes the movies that are opening in cinemas! This week, another eight movies are opening: The Maze Runner, Tusk, The Guest, The Zero Theorem, This Is Where I Leave You, A Walk Among The Tombstones, Tracks and Hector And The Search For Happiness Note that these are based on the opening dates in the United States.

In this internet savvy age, successfully avoiding spoilers for movies and TV shows is a talent we all wish we had. All it takes is a brief glance at Twitter after an opening day or a TV air-date to find that what you’ve been waiting to watch for ages has been spoiled before you’ve even been granted a chance to watch it. Yet these overly enthusiastic tweeters aren’t exactly the biggest threat to my enjoyment of a film, even if they do deserve a slap across the face for making me enjoy it far less; the biggest threat is the trailers for the films themselves, which increasingly spoil crucial elements of a movie before it even opens.

Mortdecai is the story of an art dealer searching for a lost painting that links to a bank account full of Nazi gold. It stars Johnny Depp as Charles Mortdecai with exceptional support from the likes of Ewan McGregor and Olivia Munn (Magic Mike). David Koepp (Premium Rush), known mostly for his screenwriting credits, helms the director’s seat for this film.

The movie adaptation of the 1980’s TV show The Equalizer has had a long journey to the big screen, with several different stars and directors involved at various points. Jason Statham and Russell Crowe were rumored stars, while attached directors included Paul Haggis (Crash) and Nicolas Winding Refn (Drive). What we’ve finally ended up with is Antione Fuqua directing Denzel Washington in the lead role – a re-teaming of the duo that brought us Training Day, which gave Denzel an Academy Award.

Have you ever noticed that many films are released to theaters around the same time as another with a very similar theme? They are called Twin Films, or “films with the same, or very similar, plot produced and/or released at the same time in two different studios.” I often thought it was lazy; that filmmakers are running out of ideas, so they’re all trying to out-do one another with the better story.

One of the year’s most-anticipated films is Interstellar, and it is directed by acclaimed director Christopher Nolan. It will be the first film he does exploring space. He began his resume with a short film called Doodlebug, and since then, he has taken Hollywood by storm directing nine films that include Following, Memento, Insomnia, The Prestige, Inception, and the The Dark Knight trilogy.

You may know Stephen Hawking as the physicist in the wheelchair who speaks through his computer. He’s made numerous appearances in pop culture such as The Simpsons, Futurama, Last Week with John Oliver and even recorded his own ALS challenge. He doesn’t have ALS though; he has motor neurone disease (MND) that affects the control of voluntary muscle activity like speaking, walking and even swallowing.

Guardians of the Galaxy broke records this year when its soundtrack reached number one, making it the first soundtrack in history to reach number one with no new songs on the album. This got me thinking about great soundtracks and the use of popular music versus composition. There’s a time and a place for both, and sometimes a time for none.