2010s
The idea seemed like the perfect match up. Unfortunately, Tommaso does not live up to the expectation.
NewFilmmakers Los Angeles brings its NFMLA Monthly Film Festival online June 5 to 7. We cover 5 more of the short films in the Asian Cinema program.
The buoyant mood of Kate Nash: Underestimate the Girl makes the documentary a joyous, inspirational ninety minutes.
This hilarious and poignant high school comedy is the perfect anecdote to soothe those quarantine woes and celebrate the arrival of summer.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.
Jaddoland’s depiction of immigant life through imagery and meditations will echo throurh ghte hearts and minds of its audience.
Boris And The Bomb not only tries to be bigger than the sum of its parts but also seems to have a lot of heart put into it, yet it never reaches the heights envisioned by its creators.
While a narrative focusing on young women exploring their sexuality without judgment would usually be greeted with enthusiasm, CRSHD treads well-worn stereotypes.
Despite Martin Eden being only two hours, it is so densely packed with a cosmos’s volume of emotion and life, that it is as epic as any Sergio Leone or David Lean film.
Closeness is an intriguing debut film that is marred by one incredibly bad choice on the part of its director.
As Hong Kong cinema continues to evolve, a film like Suk Suk is both important and necessary in reshaping the industry’s overall identity.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
With only two episodes left, and with everyone off their games, everything could turn into fireworks by the end of this season of Killing Eve.
