2010s
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
Mrs. Fletcher is a wholesome experience that provides an empowering journey about the complexity of being human.
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
Lection has potential to be a thriller with political undertones, but feels more like a basic metaphorical statement thrown over the top of a slow-paced film.
Anchored by a lovable cast and an action-packed trek that crosses dimensions, Marvel’s Runaways ends up going out with a bang.
The Marion Stokes Project captures both the inherent humor and the utter absurdity of what this single-minded woman devoted her life to.
If there is one thing this movie proves, it’s that star power can break through…
In the wake of Adam McKay’s The Big Short, a flurry of films have attempted…
Weathering with You, the latest film from Makoto Shinkai proves that he is one of the most delightfully unique voices working in the world of animation today.
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
The Good Liar features great performances from Ian McKellen and Helen Mirren, but the film can’t overcome other problems. Chris Cassingham reviews.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.