2010s
The fourth episode of The Twilight Zone revival suffers from some of the same flaws as the previous three episodes, but this might be the best episode yet.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.
Aside from a few misleading statements, the Suicide: The Ripple Effect is someone’s personal, real story and the journey of reclaiming his life.
Netflix documentary The Bleeding Edge explores the issues surrounding the medical advances in providing healthcare.
For the past four months the Bay Area as been inundated with persistent rain and…
For being his directorial debut, Milorad Krstić’s Ruben Brandt, Collector is an astounding example of how boundless the animation medium has become.
When I heard that Logan Motherflipping Paul was making a Flat Earth documentary I dabbed…
Spring, the new animated short by writer/director/animator Andy Goralczyk, is truly a thing of beauty.
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
For a director obsessed with the decadence of Italy’s most powerful, Loro feels like the film Paolo Sorrentino was born to make.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
Sweet, charming, and beautifully unique, Laika’s latest film Missing Link deserves only the highest praise.
The Burial of Kojo is an aesthetically accomplished debut for Sam Blitz Bazawule, but the narrative itself is far from perfect.