2010s
With virtually no plot and very little character development, Tyrel works best as an examination of masculinity and race.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
Ciro Guerra and Cristina Gallego’s Birds of Passage takes us to the Guajira Peninsula, a…
Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.
Film Inquiry’s Musanna Ahmed looks at the biggest Bollywood releases of March 2019 in his first Bollywood Inquiry column.
The Public is an amusing and eccentric film that provides a candid look at humanity, a powerful reminder to be kind and put our biases aside.
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
Wonder Park should be fine family viewing, but it is lacking in terms of storytelling and the world building design.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
With every passing detail, We are Columbine sinks deeper and deeper into your soul, a piece of it sticking with you when the film has ended.
Finding Steve McQueen is an unfortunately dull heist film, bogged down by unnecessary subplots and a lack of overall energy.
Where Hands Touch is a disappointing and sketchy depiction of a tragic romance during one of history’s darkest periods.
The Mustang is hard to look away from and worthy of praise. It’s a gorgeous look at a man who finds the best version of himself in his relationship with a wild horse.
While episode 2 nearly gave us whiplash, “Muninn” feels like a more controlled look at the different characters in the vast expanse of this universe.
The teen melodrama may still be alive, but Five Feet Apart, the latest tragic YA romance, proves that it’s far from thriving.