2020s
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
Unfortunately, Billy Crystal and Ben Schwartz aren’t enough to elevate Standing Up, Falling Down to success.
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
Colorful, funny, and filled with great performances, Sonic The Hedgehog is a surprisingly above-average video game adaptation.
There are definitely moments in The Photograph that briefly feel like the Valentine’s Day treat it should be. But ultimately, it falls flat.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
Gretel & Hansel is conceptually a clever spin on a story we all know, but when that spin fails at generating scares or digging up much in the way of completely novel insight, it’s hard to know what to get out of the experience.
On paper this movie may sound like a delicious recipe for some good old fashioned fun, but Richard Stanley’s Color Out of Space ultimately ends up stuck in a losing battle.
Despite some stumbles and clumsy writing, the first season of AJ and the Queen is a heartwarming, heartbreaking delight that lets you ride out every emotion.
The Assistant is a gripping film masterfully directed by Kitty Green and featuring one of Julia Garner’s best performances to date.