2020s
The problem is not only that The Jesus Rolls doesn’t work as either a Lebowski spinoff or a Going Places remake, but that this movie barely works as anything.
I Am Not Okay with This is a great show that feels both familiar and refreshing, twisting the formula of superhero origin and coming-of-age stories.
We were able to speak with Jonas Chernick, star of the upcoming sci-fi James vs. His Future Self, during the 2020 Glasgow Film Festival.
Over the last few years, the name of Alex Garland has become synonymous with modern sci-fi,…
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.
Suffering from poor editing and poor character development, Run This Town seems fated to become lost in a sea of releases.
There are real issues to address in Greed, yet there feels to be very little intent to showcase these.
From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
In our final review from Sundance 2020, Janet Lee reviews MinarI, a film that brings an honest story of family, love, selfishness, and humility.
What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.
Yalda, A Night For Forgivness is a solidly crafted a socially conscious film while making some truly bold cinematic choices.
In his first report from Fantastic Film Festival Australia 2020, Matthew Singleton reviews Saint Maud and A Serial Killer’s Guide to Life!
After Midnight shows much potential in its early-goings, which makes the lack of a satisfying follow-through all the more disappointing.