2020s
While Apartment 7A far exceeds the 1978 sequel and the 2014 remake of Rosemary’s Baby, it neither lives up to the suspense or the politics of the original.
Azrael has buckets of blood, some fun traps, and plenty of intrigue for those willing to overlook these gestures towards deeper meanings more fully.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
Despite a trepidatious takeoff and a bit of a rocky landing, where Charlie Tango really shines is at its cruising altitude.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
Samir Oliveros spoke to Film Inquiry about his latest film The Luckiest Man in America.
Film Inquiry spoke with Edward Berger, director of Conclave, for the Toronto International Film Festival.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.
On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.
Matt and Mara is the kind of film where, on the surface, it might seem that nothing is happening, but even the smallest moments can impact.
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.