2020s
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.
Hung Up on a Dream is one of the better musical biographies I’ve seen in some time, and it’s because the story at its core is burgeoning with creative vibrancy, fraternity, and a joyous love of music.
Despite its curious premise, however, Absolute Dominion appears to pull every punch and kick it throws.
Aesthetically pleasing but ultimately frustrating, Desert of Namibia fails to resonate despite Kawai’s substantial star power.
Just in time for Mother’s Day, Greek Mothers Never Die is a sweet film with enough humor and heartfelt moments for mother and daughter alike.
If you’re looking to change up your popcorn flick pick, Yadang: The Snitch has action, humor, and a plot that keeps you thinking.
Based on the novel by Bernhard Aichner, the show is back with more thrills, more action, and more bodies.
Sinners is a beautiful celebration of black culture and art, as well as a story of redemption, trauma, guilt, and racism.
Ape-ril is a state of mind, a commitment to the absurd, the goofy, the simian, and I’d honestly recommend you try it out.
Blue Sun Palace pulls back the curtain of a Queens massage parlor to give us an intimate look at the lives of the immigrant women.
At our most cynical moments, we can reduce most films in our minds to gorgeous…
The film is digitally re-mastered in 4K, directly from the original 35mm footage, and includes enhanced audio mixed by musician Steven Wilson.
Documentarian Courtney Stephens and actress Callie Hernandez join Film Inquiry to discuss “Invention.”
In Invention, an airily shaggy, collaborative piece of improvised, genre-fluid auto-fiction by documentarian Courtney Stephens and actress Callie Hernandez.
It’s official — the United Kingdom has The Penguin Lessons fever. Posters for this thing, depicting…