2020s
Plankton: The Movie encapsulates a troublesome and growing safeness in kids’ shows that is far better left behind.
If you like action comedy films that actually have a bit of a story, great action scenes, funny jokes, and a lot of heart, Novocaine is the perfect fit.
Bob Trevino Likes It is a truly wonderful piece of cinema, both heart-wrenching and life-affirming in equal measure.
In Mola: A Tibetan Story of Love and Loss, we see the tale of a woman of faith, her family, and how important those connections are.
Ghostlight is at once profound and moving and insightful, and features some of the most natural chemistry and acting you’ll see on screen this year.
Borderline does a lot over the course of its 90 minutes, it made us laugh, it made us cringe, it made us look through our fingers.
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
The Electric State is a turgid mishmash of sci-fi with little uniqueness, bland characters, and a story so eye-rolling it may have been written by AI.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
No amount of blood or cool gory effects could save Stream from itself.
Control Freak always goes forward and evolves, keeping you entertained and sitting with you afterwards for a long while.
An Unfinished Film’s creative and sensitive approach to depicting life during the COVID-19 pandemic deserves to be seen.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.
The Day The Earth Blew Up is a loving and looney enough romp to be the best Looney Tunes movie ever.
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.