2020s
Weapons is many things: an entertaining genre film that is both funny and horrifying, an acting showcase for its talented cast.
Freakier Friday is a missed opportunity. In this moment of Y2K nostalgia and resurgent conservative political backlash to feminism, we need punk rock.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
A wonderful addition to the MCU and the superhero canon, The Fantastic Four: First Steps is a breath of fresh air in the genre.
Together’s greatest strengths lie in its wry reflections on the pleasures and perils of long-term romance.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
In a world that constantly asks women (especially women under authoritarian regimes) to stay silent, Tatami dares to scream. And, it speaks volumes.
Few movie franchises have battled allegations of greed like Jurassic Park. Since Steven Spielberg’s trailblazing…
River of Grass works as both a documentary and personal essay film, giving the movie a fresh experimental angle that allows it to reach beyond.
To a Land Unknown is not an easy watch that culminates in a simple and satisfying ending
Some time ago, the Walt Disney Company learned that there is significant money to be…
The overall takeaway of the film is maybe not as profound as it could be given the film’s haphazardly constructed narrative, yet it still has enough in here to recommend.
28 Years Later excels in the way it does not because it’s yet another zombie movie in an endless array of them, but because it is different.