2020s
Today, we’re looking at two shorts: One about a filmmaker preparing for the progression of his diagnosis, the other about a drummer struggling creatively.
House of Spoils is striking and interesting at first, but by the time the action comes it is too little, too late.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
Nosferatu is a cinema masterpiece, an art house piece from an indie director who could do anything he wanted yet he chooses to make high art.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.
Today, we’re looking at two documentaries: One focusing on social justice in Omaha, and another exploring a mysterious hole in northern California.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Based on the Pulitzer Prize-winning novel by Colson Whitehead, Nickel Boys follows a young man,…
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
In my opinion, no picture is more worthy of receiving best animated feature than Gints Zilbalodis’ Flow (2024).
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
We’re taking a look at a documentary following a conservative musical theater production and an ensemble dark comedy about people acting out in suburbia.
Teal and orange have made a serious comeback, at least in Frederik Louis Hviid’s new…
Most movies aren’t shot on the Orkney Islands. But The Outrun isn’t most movies. Directed…
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…