2020s
While Mank isn’t David Fincher’s best work, it certainly places quite high in his repertoire.
While we always talk about The Beatles and The Beach Boys, but the impactful legacy of The Ventures deserve their due.
The Xrossing steadily forms into a heartbreaking variation on familiar story beats that blends regional melodrama with a hard-edged crime-thriller.
The Jinkx & DeLa Holiday Special is a labor of yuletide love that shows the raw creativity and determination of queer performers.
“I’m sorry I’m late”, I say when I’m connected through to Karim Saleh. We’re here…
Fatman is an exhausting, vile, depressingly boring movie which might have been kinda funny as a skit or short.
Black Bear goes to such lengths to get across a mundane idea that even its lack of meaning is forgivable in light of its wild viewing experience.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Daryl MacDonald spoke with director Zeina Durra about her film Luxor, the city of Luxor itself to spirituality, dreams, accents, and more!
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
If you’re going to watch this one, you might as well marathon the series with some buddies online while imbibing the adult beverage of your choice.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.