2020s
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
Upon the release of David Freyne’s coming-of-age hit currently taking the world by storm, Film Inquiry’s Marc Ricov spoke with the Belfast-born actress.
The Climb is an exciting and robust debut from Michael Angelo Covino.
Dinesh D’Souza, a celebrated far-right political commentator, author and documentary filmmaker, has dizzying propaganda films that bleed misinformation.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Director Jacqui Morris tries to escape the staleness of adaptating of A Christmas Carol by presenting the story as a modern dance dreamscape.
Angelique Sabrina White and Jack Shulruff both spoke exclusively with Film Inquiry’s Jim Dixon about their latest film Roommate Wanted.
Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the independent film lover’s radar.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
Cindy Sibilsky interviews actress Juliet Landau for A Place Among the Dead, her feature film directorial debut.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Peter Murimi And Toni Kamau spoke with Film Inquiry about how they made the film and their hopes for the impact it can have.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!