2024
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
To a Land Unknown is not an easy watch that culminates in a simple and satisfying ending
Some time ago, the Walt Disney Company learned that there is significant money to be…
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.
Aesthetically pleasing but ultimately frustrating, Desert of Namibia fails to resonate despite Kawai’s substantial star power.
Blue Sun Palace pulls back the curtain of a Queens massage parlor to give us an intimate look at the lives of the immigrant women.
In Invention, an airily shaggy, collaborative piece of improvised, genre-fluid auto-fiction by documentarian Courtney Stephens and actress Callie Hernandez.
If you asked me what I wanted to be when I grew up, at 5…
Julie Keeps Quiet is a smart and sensitive debut that succeeds in telling a story about abuse of power while empowering, rather than exploiting.
Ghostlight is at once profound and moving and insightful, and features some of the most natural chemistry and acting you’ll see on screen this year.
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
An Unfinished Film’s creative and sensitive approach to depicting life during the COVID-19 pandemic deserves to be seen.