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While far from perfect, Mosul is an effective look into a country ravaged by war and constantly searching for hope.
Fatman is an exhausting, vile, depressingly boring movie which might have been kinda funny as a skit or short.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Attack The Block from Joe Cornish remains a rare gem that challenges the audience just as much as it entertains.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
The series Cobra Kai falls in the category of doing nostalgia right, combining both elemnts of the films of the 1980s while also remaining fresh.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
It’s a loyal, brave, and true re-telling of a Chinese ballad that was once successfully Westernized.
The Mandalorian delivered audiences and filmmakers a visual effects breakthrough. And because of it, visual effects are likely changing forever.
Wilson Kwong had the chance to speak with director Bao Tran about his latest film The Paper Tigers and his unique journey as an independent filmmaker.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
Despite its visual innovations and blockbuster decadence, Tenet finds itself submerged beneath Christopher Nolan’s lofty ambitions.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
Train to Busan Presents: Peninsula does not reach the heights of its predecessor, but it’s still a satisfying summer diversion.