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Whether or not “Part 2” was the worst entry in Star Trek: Picard’s first season is up for debate, but what it did was to highlight all that’s made it a well-produced but frustrating show that, sadly, fell shy of the mark.
Altered Carbon season 2 may not be exactly what season 1 seemed to promise, but in many ways, that’s a good thing.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
If the purpose of “Et in Arcadia Ego, Part 1” was to reassure viewers that all we’ve seen up to this point mattered, well… mission failed.
“Broken Pieces” is an episode that sends everyone on their way to where they’ll need to be in the upcoming two-part finale, but doesn’t do so with any tangible enthusiasm.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.
The Hunt is a textbook example of trying to force a story into a concept, rather than giving the story its due.
Bloodshot attempts to do something “different”, but retains to many of the clichés its predecessors have befallen to.
Like last year’s Academy Award-winning Parasite, Bacurau manages to turn the class struggle into inventive entertainment without its overall message losing any of its potency.
The 3rd episode, “On The Wings of Keerdaks” was just a classic episode of Clone Wars with one thing on the agenda: get out alive. Let’s talk about it.
A frustrating continuation of the season, Star Trek: Picard’s “Nepenthe” feels like two halves of the episode are at war with each other.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
While the 6th episode of Star Trek: Picard makes strides towards the franchise’s core ideas and is significantly more ambitious, it still struggles to know what to do with itself.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…
With beautiful direction and cinematography, a haunting score, and excellent acting by Eva Green in particular, Proxima is a solemn, slow meditation on motherhood.