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Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
Harriet is a formulaic biopic that doesn’t take any creatively clever leaps to ensure this biopic deserves to be associated with the historical significance of Harriet Tubman.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
Black And Blue is a surprisingly engaging cop thriller; it has some stellar performances, confident direction, and a sharp story to boot.
Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.
Despite Nat Wolff’s outstanding performance, those interseted in The Kill Team are better off sticking with the documentary.
While it isn’t a terribly exciting conclusion to a richly-textured saga, it’s the little moments along the way that make El Camino a heartfelt final chapter in a great character’s story.
Arrow has kicked off its final season with a mostly entertaining and emotionally engaging episode.
While not challenging, The Parts You Lose is a thoughtful if not meager meditation on the relationships that define us.
We spoke with Academy Award-nominated short filmmaker Ruairi Robinson about his new, Lovecraft-inspired short, Corporate Monster.
Gemini Man smears a lot of fancy tech all over an empty and tiresome thriller.
Velocipaster would have worked better as a short film. As is, it pulls itself into too many directions with random plot lines.