adventure
With its fifth episode, His Dark Materials became less of the title, and more of the characters we want to see succeed.
This episode of His Dark Materials expands the show’s reach and vision just beyond one character, so that we can speculate on things to come.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
The Mandalorian isn’t the best thing on TV right now by a large margin, but as a Star Wars series, as a show for casual viewing there’s nothing wrong with it.
His Dark Materials is an adventure story at its core, and we’re finally starting to get into the adventuring.
Lorna Codrai looks at why 2006 was the most pivotal year of DiCaprio’s career, a year change him from a Prince to King of the World
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
If the rest of the season of His Dark Materials is as good as its second episode, we’re in for a great season.
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
Maleficent: Mistress of Magic is a movie that feels at war with itself, but when the right side breaks through, it can be something beautiful, like the film that came before.
Arrow has kicked off its final season with a mostly entertaining and emotionally engaging episode.
if Abominable is any indication that Dreamworks is eager to reinvent their brand, bright things could be ahead for this powerhouse studio.