adventure
Formerly the realm of big-budget blockbusters, the subgenre of underwater thrillers has been flooded with relentless low-budget pictures.
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
Society of the Snow delivers a powerful narrative that transcends the screen, prompting audiences to contemplate the depths of human endurance.
A dark fairy tale that blurs the line between reality and fantasy, Riddle of Fire will make you feel young again in the best way possible.
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
No Way Up still retains the entertainment factor, no matter its predictability and overarching absurdity.
Despite Aquaman’s need to make one last cannonball for the DCEU, he only makes a mild splash in a mostly empty pool.
The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
Writer and Director Makoto Shinkai talks about his film Suzume, his influences, video games, mourning, loss and having an asteroid named after him!
Concrete Utopia stakes its claim as the heir apparent to Parasite and Squid Game and should have similar crossover appeal for international audiences.
Welcome to A Century in Cinema, the monthly column where I’ll be discussing films from…
This isn’t essential viewing, but as someone who thinks it’s perfectly okay to enjoy a messy movie, it’s fun and charming in the right places.
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
You can make of The Mission what you will, as there is so much here to unpack in the middle of this tension. It’s undeniable.
