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The film Ida by Pawel Pawlikowski is admired by critics and viewers around the world. The movie won awards at important international festivals and it was nominated for an Academy Award in the category for Best Foreign Language Film. A glimmer of hope woke in the Poles after winning a golden statue:
Anna, a young woman on the verge of nunhood raised from the confines of a lonely convent discovers that her only living relative, Wanda, is a judge who abides by an irresponsible lifestyle of hedonism. These two very different personalities clash in Poland’s submission to the foreign film category of the Oscars, Ida. Anna and Wanda embark through the vestiges of Poland to locate the remains of Anna’s parents in order to give them a proper burial, a journey which becomes a heartfelt saunter that causes the pair to question their beliefs.
If you ask somebody about the war films they’ve seen, the first titles that come to mind are usually large-scale epics that feature scenes of combat and violence. These films effectively depict the horrors of war. However, the level of action in some of these films can be distracting and compromise our emotional involvement with the characters once we see how quickly they can vanish, and the level of violence that can occur.


