camp
“Please Baby Please,” a MUBI release, is as campy as it is difficult, though Andrea Riseborough leans into the movie’s energy.
Horrific Inquiry looks back on Sleepaway Camp, one of the most successful independent films ever made, and its societal lens on young women.
The Fast & Furious movies are camp in a way we feel in our bones but have been trained by decades of narrow-minded definitions to deny.
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
Paul Feig’s latest, A Simple Favor, sees him unshackle himself from his comedy ties – unfortunately, the result is a subpar Gone Girl wannabe.
Spidarlings is a love letter to a forgotten era of midnight movies – but in 2018, it feels less revolutionary than in their 70’s heyday.
Camp films are delightful, and demonstrate the range of ways in which a movie can leave a noteworthy impact on an audience. But what exactly is camp?
With the premiere of The Disaster Artist, we examine why films like The Room still have such an enduring status despite being labelled “trash film.”
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
If we can accept aesthetic subversion as a form of commentary or aesthetic, why do we still consider trash films as some sort of failures?
With the release of the FX series Feud, there’s no better time to revisit Robert Aldrich’s histrionic horror, What Ever Happened To Baby Jane.
Written and directed by Jon Watts with co-writer Christopher Ford back in 2014, Clown has been in the offing for some time now. Originally conceived in 2010 as a fake trailer for a forthcoming feature attraction fictively produced by contemporary horror genre guru Eli Roth, Watts’ first feature length production is a mixed bag. Blending various elements of body horror with the basic thematic structure of a domestic comedy, Clown is more silly than it is scary.
I’m going to be honest and admit that 15 minutes into this film I didn’t want to watch any more. Which is strange, because usually I’m a glutton for punishment when it comes to films I don’t necessarily enjoy. I’ll quite happily sit through to the end, hoping for a change in direction or a ‘bigger picture’ reveal.