comedy
Summer Night is a perfectly sweet film about the hot, hazy nights we’ve all had and can look back to with adoration and nostalgia.
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
Despite a couple of fun, breezy jokes, For Love or Money’s the narrative is neither fresh nor funny enough to be a hit with the romantic comedy crowd.
Whether you’re an avid theatre-goer, an actor, or someone who enjoys dark comedies, there will be something enjoyable in Ghost Light.
With the strength in its original script and performances, Bite Me is an incredibly refreshing rom-com that has a lot to say about today’s world.
Tracks is a rather tedious ride that doesn’t possess any of the characteristics a rom com should have in order to soar.
The Secret Life of Pets 2 is fine enough sequel, but never really explores all its potential. Debbie Lawrie reviews.
Tora-san is one of Japan’s national treasures running roughshod over the nation’s norms while still functioning as a lovable reminder of bygone times.
Papi Chulo is executed so exceptionally well and clearly with such care, that emotion pours out of the screen.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.
Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.
In this latest episode of The Simpsons Greatest Hits, we look at the multi guest starring 1992 baseball episode Homer at the Bat.
9 to 5 has laughs from beginning to end, a catchy theme song, clever editing techniques, and inspirational characters who prove that we’re better united than divided.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.