crime
Stylish, savage and supremely funny, First Love is the shock of adrenaline the action genre needs and deserves.
While it isn’t a terribly exciting conclusion to a richly-textured saga, it’s the little moments along the way that make El Camino a heartfelt final chapter in a great character’s story.
Arrow has kicked off its final season with a mostly entertaining and emotionally engaging episode.
While initally an intense thriller, The Informer buckles with an insuffiently used cast and material to provide for good impression.
As a true crime miniseries, Unbelievable does well in telling the womens’ side of things, depicting their trauma, and how they are forced to relive the horrific events over and over.
Season 5 of Peaky Blinders brings as many twists and turns as the previous seasons – and it just keeps getting better and better.
Bree Duwyn covers the second half of the first season of Carnival Row, in which the show’s writing increased in quality.
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
With an intriguing story and a craftsmanship in filmmaking, The Wild Goose Lake is a ride you want to be on, holding on to you until the very end.
The potential is there for Batwoman to soar, but it’s going to need some serious re-working before it can get its feet firmly off the ground and into Gotham City.
Temptingly measuring suspense and psychological anguish, A Dark Foe doesn’t always fulfill its thematic potential, but the effort ensnares you in its grip.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Sonatine, Takeshi Kitano’s riff off the Yakuza genre, helped him gain an audience outside of his native Japan. Read our review to learn more.
