exploitation

CLIMAX: (Bored to) Death on the Dancefloor
CLIMAX: (Bored To) Death On The Dancefloor

Climax is an oddly boring affair, that shows Gaspar Noe has little of substance to offer when divorced from more offensive subject matter.

LET THE CORPSES TAN – A Vibrant, Visceral, and Stylish Pistol Opera
LET THE CORPSES TAN: A Vibrant, Visceral & Stylish Pistol Opera

Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.

UNSANE & The Questioning Of Exploitation Cinema
UNSANE & The Questioning Of Exploitation Cinema

Steven Soderbergh’s Unsane easily fits within the category of exploitation cinema, but why were critics willing to overlook some of its questionable morals (or lack thereof)? Emily Wheeler takes a deeper look.

Celebrating A Fun & Murderous Experience: HOUSE OF 1000 CORPSES
Celebrating A Fun & Murderous Experience: HOUSE OF 1000 CORPSES

We look back at House of 1000 Corpses, Rob Zombie’s brutal directorial debut that has since become a cult film in the horror world.

FEMALE TROUBLE: Subverting Straight Culture & Loving It
FEMALE TROUBLE: Subverting Straight Culture & Loving It

John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.

PSYCHOMANIA: Is This The Greatest Terrible Movie Ever Made?

‘So Bad They’re Good’ movies are a thing now. Movie list websites are awash with them. Troll 2 is often the high-watermark, and it appears that most of these no-budget horrors tend to be of American origin.