fantasy
The Clone Wars starts off in the light and ends in the dark. The show ends in an exhale, without a post-credits inhale to give us hope.
As the final season of Clone Wars dipped further and further into the timeline of Revenge of the Sith, it was apparent that we were going to see Ahsoka have to face Order 66 on her own.
As Clone Wars leads us further and further toward end of the series, the show is beginning to set the pawns in place for their final showdown.
Cargo fails on its promise to meld the concepts of science fiction, fantasy and Hinduism, and ends up feeling muddled.
Disney is brilliantly setting up The Clone Wars and The Mandalorian for the price of one and is creating the kind of connective thread that made the MCU films so successful.
Although its premise is one of the most outlandish in recent memory, Extra Ordinary grounds itself with witty exchanges and a visually pleasing aesthetic.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.
The 3rd episode, “On The Wings of Keerdaks” was just a classic episode of Clone Wars with one thing on the agenda: get out alive. Let’s talk about it.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…
What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.
It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
Gretel & Hansel is conceptually a clever spin on a story we all know, but when that spin fails at generating scares or digging up much in the way of completely novel insight, it’s hard to know what to get out of the experience.