film festival
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
Witches may not be the most talked about film at this year’s festival, but it is certainly the most vital.
My Sweet Land is a somber warning call that its events are not contained in one place or time, they are the story of humanity.
For the viewer who doesn’t mind overt imitation– Beacon, with its twists, turns, and choppy seas, may hold some interest.
They’re Here will struggle to connect to its audience, too often feeling as though it is attempting to only reach others whose experiences matches its own.
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
Brats is a reminder old wounds can calcify and scab over turning into the foundation for something all the more beautiful.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
The overall effect is an icky jumble, at once anesthetizing and agitating, languorous and frenetic, a cinematic case of acid reflux.
Jonathan Millet’s Ghost Trail and Guan Hu’s Black Dog both tackle serious subject matter with subdued restraint.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Three of the biggest headliners this year’s SXSW Film Festival are action movies, featuring some of the craziest fist fights seeen on the big screen.
Jericho Ridge is indeed a B-movie take on Assault on Precinct 13, coupled with plenty of Carpenter style flourishes which show Gilbey did his homework.
The Burning Season is an intricately told story of secrets, guilt, and lust, anchored by great chemistry between its co-stars, and a satisfying script.
While occasionally veering into an overly complicated and opaque narrative structure, The G is a fun genre thriller with an incredible performance.