France
Pleasure is a film that can be difficult to watch, but is so mesmerizing that it can also be hard to look away.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
While it doesn’t give its audience straightforward answers, Echo offers a kind of diagonal empathy that’s refreshing and valuable.
Well, like so many of these director anthologies, Six from Paris suffers from the flippant transparency that’s all too common with this informal subgenre.
A Grin Without a Cat is a potently poetic diatribe regarding political fervor, social upheaval, and oppression of all kinds.
Black Panthers shows the resistance group through the words of its own members and the curious eyes of a visitor.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Daryl MacDonald spoke with Tomm Moore and Ross Stewart to discuss the third in their unofficial Celtic folklore triptych: Wolfwalkers.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.
Déa Kulumbegashvili’s Beginning is guaranteed to linger uncomfortably in the back of your mind long after the end credits have rolled.
Night of the Kings explores how rituals, traditions, and stories can give people reasons to live even in the darkest times.
In a world that seems to be leaning more to authoritarian power and rule, we need documentaries such as The Monopoly of Violence.
With its flashes of humor and music, The Hole is a disturbingly timely depiction of humanity in crisis that speaks to our current isolation.