France
Directed by Lucas Delangle and shot by Mathieu Gaudet, “Jacky Caillou” is a French indie gem that is well worth your time.
That Martin Roumagnac was the only film they ever made together makes it a must-see for any fan, and a wonderful remembrance of their real-life romance.
The Worst Ones asks some very complex and compelling questions about the ethics of filmmaking and the emotions of young actors.
While Still the Water feels pleasant, its existential questions are frustratingly left untraversed by its subtlety.
Initially, a terrific, tense, and brutal tale of class warfare, animalistic nature, and devastating consequences, over 2 1/2 hrs, it can’t sustain.
Madame Beudet is widely considered to be one of the earliest feminist films and it’s a film that needs to be highlighted more.
We take a look at Sundance documentaries Kokomo City and Against the Tide!
A Radiant Girl is a film where horrors hover on the edge of every frame, out of sight but never truly out of mind.
Kompromat is a tense and gloomy character-driven thriller, loosely based on real events, and is an energetic ride that never lets up.
As a cinematic time capsule, A Woman Kills is worth (re)discovering… even if its most problematic aspects should be taken with a large grain of salt.
On this Inquiring Minds, we take on two Sundance films: Animalia & Divinity!
It’s impossible to not feel a bit existential after watching Millennium Mambo, and with a sumptuous new 4K restoration now available there’s no better time.
With Saint Omer Diop has delivered one of the most powerful and personal films of the year.
On this Away from the Hype, we look at the racy 1995 film: Showgirls.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!