Greek Weird Wave
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
Alex Lines reports on the films he was able to see at the Delphi Bank 25th Greek Film Festival, which celebrates the film movement known as the Greek Weird Wave.