horror
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.
At this year’s Sundance Film Festival, Wilson Kwong takes a look at The Ugly Stepsister and The Dating Game!
Sometimes a film rises above a Z-movie premise on the strength of its characters, and the Death Of A Unicorn trailer is a prime example.
The best that can be said for Wolf Man is that, like its well-intentioned yet nevertheless obviously doomed protagonist, its heart is in the right place.
Aly is a perfect example of a short film done right, a simple idea, executed with grace.
Strange Darling is fresh and original, a thriller for the ages on an indie budget.
The program for Sundance 2025 includes a whopping 87 feature-length films from filmmakers across 33 countries and territories.
Black Can is worth a one time watch, if for no other reason than to see Nick Frost really let loose.
While it may be highly satisfying to watch while its puzzlebox is winding through its narrative gears, Heretic is a box with nothing hidden inside.
Marking the first widely distributed feature film release of director Lance Todd, Beyond the North…