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BAD TIMES AT THE EL ROYALE: Deconstruction that’s Stylish to a Fault
BAD TIMES AT THE EL ROYALE: Deconstruction That’s Stylish To A Fault

On the performances alone, Bad Times at the El Royale is worth your time and money, lending itself to justifiable reasons to revisit for multiple viewings.

THE GRAND BUDAPEST HOTEL: On Wes Anderson’s Homage to Stefan Zweig

Wes Anderson can be an acquired taste. Settling on gathering enjoyment from his films can come after much deliberation as to whether he’s serious about the utterly finicky nature he employs in his chosen colour palettes, set construction, camera movements and scrupulous plot details. But his films carry far more value than the kind of hipster magnetism that seemingly oozes out of them.