Lucrecia Martel
These two award winning films illustrate how cinema can either reinforce or dismantle traditional understandings of colonialism and the Age of Exploration.
Director Lucrecia Martel’s first film in a decade is an opaque and potentially challenging film that is best appreciated as a purely sensory experience.
Tomas Trussow reports from Toronto International Film Festival with reviews of Agnes Varda’s latest, FACES PLACES, SWEET COUNTRY and more.
David Fontana discusses four foreign films from this year’s NYFF, ranging from a historical epic to a German take on the American Western.
