monster
28 Years Later excels in the way it does not because it’s yet another zombie movie in an endless array of them, but because it is different.
Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
We spoke with Academy Award-nominated short filmmaker Ruairi Robinson about his new, Lovecraft-inspired short, Corporate Monster.
Sometimes simple is all you need to make a fun movie, and with its quintessential man vs. nature thriller, we need more simple movies like Crawl.
Besides a slight hiccup, Swamp Thing’s pilot episode is a promising start for the superhero/horror series.
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
Six short reviews for six Godzilla films that give a solid exploration of Godzilla and his major foes. But that’s just the tip of the iceberg.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.
Smallfoot is desperate to entertain its audience with musical numbers, visual gags, and rapid-fire dialogue without paying that same attention to character or stakes.
The Predator is a brainless, tone deaf picture, that is quite easily the worst thing writer/director Shane Black has ever laid his hands on.
The Meg is not a masterpiece, but it is a perfect Jason Statham vehicle: packed with action and still a ton of fun.
Xavier Gens’ science fiction fantasy Cold Skin is a hotbed of promising concepts. The problem is, it doesn’t know what to do with them.