music
The Cry of Jazz does not waste energy or time, and in doing so it succeeds in breaking through with its considerable strength.
It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
While Swans – Where Does A Body End? will be streaming on Amazon Prime, this a movie that should be played as loud as possible.
While many would probably have appreciated a more robust exploration of his musical career, there’s also a deeply human message at the core.
In the face of hate, Gay Chorus Deep South is a shining beacon of love and an exemplary display of resilience and strength.
In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
Genuinely funny and made with a real passion for its heroes, Bill & Ted Face the Music is a most excellent addition to the franchise.
While the energy soars, I Am Woman is certainly neither the greatest musical biopic nor the most intriguing account of a musician.
Slim & I, one of the rare Australian features to sneak back into cinemas post-quarantine, delivers the history of Dusty Slim with a little cunning twist.
Alex Lines had the opportunity to interview TT the Artist, the director of musical documentary Dark City Beneath the Beat.
But Jazz on a Summer’s Day so effectively captures the energy of the moment, making us sense the atmosphere and enjoy it vicariously.
William Hopson dives deep into how the power of Elton John music elevated his classic music to new heights in 2019’s Rocketman.
Alex Lines spois with director Iván Castell about his latest music revival documentary The Rose of the Synths.
With just her voice and her eyes, Marlene Dietrich lays bare Lola’s body and heart in The Blue Angel – and we fall under her spell.