music
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Western Stars isn’t going to break the music documentary mold, but if you’re a Springsteen fan, you should find plenty to love about it.
Hitsville: The Making of Motown is a loving and lively reflection on Berry Gordy’s pop music factory, one of the greatest of the 20th century.
Not only does White Riot present a compelling case of why the fight against racism isn’t over, it makes you want to join in.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
We spoke with Oscar winning director DeWitt Sage about the 30th anniversary of his film Distant Harmony: Pavarotti in China.
Much like Gallagher himself these days, Liam: As it Was is a tided up version of the rock-and-roll star’s story.
Blue Note Records: Beyond the Notes is eager to encompass all of what makes Blue Note so special while offering the barest amount of context to bring in the uninitiated.
Blinded by the Light is a fabulous ode to the power of music, and how our favourite artists come to define our lives.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
Lacking a statement about the artist-muse relationship, Nick Broomfield’s Marianne & Leonard: Words of Love fails to live up to the promise of its title.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
While it may sound nonsensical, Andrew Emerson discusses why The Last Black Man in San Francisco shares important similarities with musicals.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.