Netflix
In Ozark season 3, the direction, writing, performances and tense, foreboding atmosphere continue to be stellar and highly immersive while these characters continue to grow and evolve for the show’s betterment.
Trixie Mattel: Moving Parts is a raw, at times agonising portrait of the contemporary reality show celebrity. Rafaela Sales Ross reviews.
If in the end there will be no fourth season for On My Block, the ending of season three is still pretty much a perfect closure.
There’s a reason The Tiger King has been one of the most streamed content on the service recently: you’ve got to see it to believe it, and…maybe not even then.
Altered Carbon season 2 may not be exactly what season 1 seemed to promise, but in many ways, that’s a good thing.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
Chung takes heavy, economic, social, and intimate struggles of one middle-class family and trusts the audience to find something relatable and universal in their story.
All The Bright Places is a disservice to teen audiences who have longed for an honest depiction of serious issues like mental illness and suicide.
Crip Camp is a beautiful, wonderfully entertaining and insightful history lesson on civil rights for the disabled in America.
Spenser Confidential feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.
I Am Not Okay with This is a great show that feels both familiar and refreshing, twisting the formula of superhero origin and coming-of-age stories.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.
While Narcos: Mexico is a slightly different beast to its predecessor, it stays close to its roots, providing an incredibly stylish and engaging story with plenty of flair.
Unfolding like a fever dream with strong performances throughout, Caitlin Kennedy reckons that Horse Girl is well worth each twisting moment.