Netflix
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Whether you’re a fan of podcasts or adult animation, The Midnight Gospel offers a mind-bending experience to viewers that has not really been seen before.
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
What the show lacks in the easy charm of simplicity, it makes up for in a deeper emotional connection. Lovesick doesn’t replace the rom-com, it just offers a new, often improved, take on it.
Throughout its limited run, The Eddy is a stylistic and emotional success. Any shots at true greatness, however, are hampered by some persistent narrative frailties.
Alice Wu’s The Half Of It is a tender teen romance and a nuanced take on sexuality and friendship. Andrew Stover reviews.
With the talent involved and the potential of its revisionist take on Golden Age Hollywood, Netflix’s Hollywood provides minor thrills where it promised major dramatic power.
Circus of Books packs so much heart and warmth that only the coldest of souls would fail to be moved by it come the end credits.
What Lost Girls and The Frozen Ground share is the decision to depict a true crime involving one of the minorities most affected by serial killing: sex workers.
In Part Three of Terrace House Tokyo, there are twelve different people living in the house throughout the twelve episodes, and there is just too much content to focus on.
If you’ve ever been worried about your creaky joints, or whether your sex life will cease to exist after the menopause, Grace and Frankie will help to ease your mind.
In Ozark season 3, the direction, writing, performances and tense, foreboding atmosphere continue to be stellar and highly immersive while these characters continue to grow and evolve for the show’s betterment.
Trixie Mattel: Moving Parts is a raw, at times agonising portrait of the contemporary reality show celebrity. Rafaela Sales Ross reviews.
If in the end there will be no fourth season for On My Block, the ending of season three is still pretty much a perfect closure.