Ralph Ineson
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
Perhaps the most impressive aspect of Robert Eggers’ The Witch is its unwillingness to pander to its audience. Though people may have been expecting a semi-typical supernatural horror film (complete with jumpscares and excessive gore), what they receive instead is something much more disturbing in its implications. Set in Puritan era New England, The Witch is an atmospherically driven, religion-coated film that is, at times, both beautiful and terrifying.
