romance
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Regarding Billy is the kind of movie you watch if you enjoy formulaic holiday films, but you’d like your Hallmark cheese with a dash of gay.
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
An insufferable venture that completely misses the mark, despite the strong material, Vita & Virginia is nothing short of a disaster.
Mirroring the problematic characters it depicts, Big Mouth is a bit of a disjointed mess, hilarious at times and problematic at others.
Back Soon is certainly an enjoyable bad movie, but for any bold statements on sexual fluidity you’re better off watching something else.
Stylish, savage and supremely funny, First Love is the shock of adrenaline the action genre needs and deserves.
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
Far from being moth-balled and prosaic, When a Woman Ascends The Stairs beats with the most devastating of lifebloods.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.