romance
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
An insufferable venture that completely misses the mark, despite the strong material, Vita & Virginia is nothing short of a disaster.
Mirroring the problematic characters it depicts, Big Mouth is a bit of a disjointed mess, hilarious at times and problematic at others.
Back Soon is certainly an enjoyable bad movie, but for any bold statements on sexual fluidity you’re better off watching something else.
Stylish, savage and supremely funny, First Love is the shock of adrenaline the action genre needs and deserves.
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
Far from being moth-balled and prosaic, When a Woman Ascends The Stairs beats with the most devastating of lifebloods.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
First Love mixes and matches generic elements freely and playfully, making it impossible to pin down into one category.
Sometimes, a movie is so bad it’s just bad, such is the case with 2011’s The Love Patient, a movie so offensively, irredeemably bad it’s hard to sit through.