romance
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
While Photograph is frequently too slow to engross yourself in, it’s unique and intriguing enough to carry interest.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.
Long Shot is a tight, funny, and warm comedy with a ton of heart and two fantastic performances at its center.
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.
While bowing out to a mostly satisfying conclusion, Shadowhunters did enough to quench our desire for more.
Despite few releases due to Avengers and politics, cinemagoers were served with two major Bollywood releases this month: Romeo Akbar Walter and Kalank.
With lots to wrap up before the two hour finale, dedicated fans of Shadowhunters can only hope that everything is brought to the finish line.
Even if Non-Fiction doesn’t end up being a revelatory film in Assayas’ catalogue, it’s never uncompelling.
Overall, In A New York Minute feels unique in its premise and execution, and a very promising entry early in Ximan Li’s filmography.