Satyajit Ray
Lovely to look at on the surface, yet even more rewarding when you delve deeper, Days and Nights in the Forest is all too worthy of being revisited.
Legend of the Berlindale Film Festival, Satyajit Ray’s award-winning 1966 Indian drama The Hero (Nayak) showcases the filmmaker’s talents.
The tragedy in The Music Room, is that he believes in a world where elitism, patriarchy, and status are of equal value to the spiritual advancement of art.
Satyajit Ray’s Agantuk (The Stranger) attempts two examinations of India – one of gender dynamics and the other a much more philosophical look.