science fiction
This TIFF 2019 report focuses more on the stranger side of TIFF, including the films Color Out of Space and The Long Walk.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
Despite the overt silliness of I Was A Teenage Werewolf, it might give us a useful way to think about the cultural impact of one Dr. Jordan Peterson.
We spoke with Russian director Vladislav Kozlov about his film The Killers, for which he was awarded “Best Director” at Rhode Island International Film Festival.
Kristy Strouse spoke with Bruce Dern about his latest film, Freaks, working with his young castmate, what he looks for in characters, and how things have changed for him over the years.
So while we did get some leads on our ongoing plot threads, The Boys continues to wallow in its worst tendencies.
Surrealist comedy Nothing Really Matters involves nightmarish imagery and brimming uncertainty that makes you think of a David Lynch movie.
Another Life is a unique space drama, but unfortunately it fails to be an immersive experience like that of the genres it draws from.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Despite some design flaws, Astronaut sticks its landing enjoyably enough thanks to the command of Dreyfuss and a novel angle of attack.
In Bear Witness, episode 10 of season 3 of The Handmaid’s Tale, June’s back, she’s determined, and now, there’s a real chance at change.
Heading into the final part of the third season, decisions need to be made, soon, to solidify this show’s position. What’s the endgame? Who is June going to be?
