Sundance Film Festival
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Delivering all the thrills, strong performances and intense handheld camerawork, 892 comes with an agenda and call to action in mind.
While not perfect and often lacking the emotional punch one might expect, ED Perkins’ uniquely minimalistic approach makes it an interesting experience.
While not essential viewing, the film is a successful directorial debut by Jesse Eisenberg.
Brivik spoke with Film Inquiry about his involvement in Wild Indian during its premiere at the 2021 edition of the Sundance Film Festival.
Wilson Kwong spoke with Natalie Chao at the 2021 Sundance Film Festival about her documentary To Know Her.
Try Harder! is a documentary follwing five students as they go through the college admissions frenzy. Reyzando Nawara spoke with director Debbie Lum.
Kevin Lee spoke with director HazelMcKibbin and lead actress Angela Wong Carbone about their film Doublespeak.
Doublespeak may be a short film, but it joins other recent features and dives into how a system that is supposed to protect people can fail again and again.
Wilson Kwong spoke with director and writer Ninja Thyberg about her process as a director for her film Pleasure.
Pleasure is a film that can be difficult to watch, but is so mesmerizing that it can also be hard to look away.
In her last report from Sundance Film Festival, Kristy Strouse reviews four more, very different (tonally and subject-wise), films.
Wilson Kwong spoke with director Jakub Piatek and actor Bartosz Bielenia about their latest film Prime Time.