Sundance Film Festival
From adult animation about cryptids to thrillers, in her first report from The 2021 Sundance Film Festival Kristy Strouse gives us her first three reviews.
The performances Siân Heder draws from her actors always hits the right note that it’s nearly impossible for you to not fall in love with this movie.
In our final review from Sundance 2020, Janet Lee reviews MinarI, a film that brings an honest story of family, love, selfishness, and humility.
Wilson Kwong ends his coverage of Sundance with reviews of Brandon Cronenberg’s Possessor and a documentary detailing the life of a Hong Kong legend (Bruce Lee, in Bao Nguyen’s Be Water).
We were able to talk with Veronica Chen at Sundance Film Festival, director of the thriller High Tide.
Sundance docs Bloody Nose, Empty Pockets and Acasa, My Home both investigate what happens when the only thing you’ve known to be your life and home suddenly gets stripped away.
Covering Sundance Film Festival 2020, Janet Lee reviews documentary Saudi Runaway, and feature films Beast Beast and Zola.
We were able to speak with actors Rebecca Hall, Stacy Martin, and Evan Jonigkeit, and director David Bruckner from the film The Night House.
Idealism can be a tough sell, but Ironbark sells the hell out of it nevertheless, remaining firmly committed to its compassion for individuals caught up in the iron grip of history.
During Sundance Film Festival, Kristy Strouse spoke with writer, director and star Linas Phillips about the process and concept of The Ride.
In her latest report from the 2020 Sundance Film Festival, Janet Lee reviews The Mountains Are A Dream That Calls to Me and Save Yourself!
With Never Rarely Sometimes Always, Eliza Hittman has crafted an important piece of cinema, which demands a lot from its audience, but also has an enormous amount to give back.
Kristy Strouse shares her first report from Sundance with three suspenseful features: High Tide, Black Bear and The Night House.
Janet Lee reports from Sundance Film Festival with her reviews of A24 documentary Boys State, and Colombian-American film Blast Beat.
The Killing of Two Lovers ineptly attempts to depict a man navigating the various extremes of modern manhood.