thriller
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Teal and orange have made a serious comeback, at least in Frederik Louis Hviid’s new…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
In Novovaine, Jack Quaid joins the growing list of everyman actors headlining fish-out-of-water action movies.
The best that can be said for Wolf Man is that, like its well-intentioned yet nevertheless obviously doomed protagonist, its heart is in the right place.
Babygirl’s depictions of kink, while surface-level can ultimately be read as an intricate and compelling portrait of powerplay as direction.
Strange Darling is fresh and original, a thriller for the ages on an indie budget.
One of the marks of a good short film is that it leaves you longing for more, and that’s the case with The Coder.
Black Can is worth a one time watch, if for no other reason than to see Nick Frost really let loose.
Woman of The Hour did an amazing job of capturing a time and place while still keeping it relevant for today’s world.
While it may be highly satisfying to watch while its puzzlebox is winding through its narrative gears, Heretic is a box with nothing hidden inside.
Hold Your Breath is a fantastic film and at a short runtime, what do you have to lose to give it a shot?
Jenny Pen is a cold-eyed excavation of one of the basest fears humanity possesses: That life, in all its triumphs, is a meaningless house of cards.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.